Art collections

The Borghese Gallery masterpieces you cannot miss

The boy with a basket of fruit caravaggio

Boy with a Basket of Fruit by Caravaggio: The Boy, the Fruit, and the Meaning

Caravaggio’s Boy with a Basket of Fruit, in the Borghese Gallery in Rome, shows a young man holding a wicker basket filled with fruit and leaves. His head tilts to one side, and his loose white shirt leaves one shoulder bare. Light catches his face, shoulder, and the fruit, while shadows separate the grapes and folds of fabric.

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David with a Head of a Goliath

David with the Head of Goliath by Caravaggio: Meaning and Self-Portrait

Caravaggio’s David with the Head of Goliath, displayed in Room 8 of the Borghese Gallery in Rome, shows the young David holding Goliath’s severed head by the hair. His sword is lowered, and his gaze rests on the defeated giant.

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The painting Young Sick Bacchus

Young Sick Bacchus by Caravaggio: Self-Portrait and Meaning

Caravaggio’s Young Sick Bacchus shows a young man wearing an ivy wreath and holding green grapes. His body turns away while his face looks toward the viewer. Light catches his bare shoulder against the dark background.

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Sacred and Profane Love painting

Sacred and Profane Love by Titian: Meaning and Symbols

Titian’s Sacred and Profane Love shows two similar-looking women beside a carved stone sarcophagus filled with water. One wears a white dress; the other is nude, with drapery across her lap and a lamp raised in one hand. Between them, Cupid stirs the water.

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Basket of Fruit Caravaggio painting

Basket of Fruit by Caravaggio: Analysis and Meaning

Caravaggio’s Basket of Fruit shows a wicker basket filled with fruit and leaves, set against a pale background. The basket projects slightly over the ledge beneath it, while blemished fruit and curling leaves interrupt the impression of abundance. These details give the still life its tension between ripeness and decay.

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Apollo of Veii Statue

Apollo of Veii (Apulu): History, Meaning and Analysis

The Apollo of Veii, also known as Apulu, is an Etruscan statue made of painted terracotta around 510–500 BCE. It depicts Apollo advancing toward Heracles in a dispute over a sacred deer. Originally placed on the roof of the Temple of Minerva at Veii, the statue formed part of a larger mythological scene.

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La Fornarina Raphael painting

La Fornarina by Raphael: Meaning and Painting Analysis

La Fornarina by Raphael is a Renaissance portrait painted around 1520 and housed at Palazzo Barberini in Rome. Its title is commonly translated as “the baker’s daughter.” The woman is traditionally identified as Margherita Luti, Raphael’s reputed lover.

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David by Bernini guide

Bernini’s David: Sculpture, Story and Meaning

Bernini’s David is a life-size marble sculpture carved in 1623–1624 and displayed at the Borghese Gallery in Rome. It captures the biblical hero twisting his body to launch a stone at Goliath.

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The rape of Prosperina

The Rape of Proserpina by Bernini: Sculpture, Story and Meaning

The Rape of Proserpina by Bernini, also known as The Abduction of Proserpina, is a marble sculpture created in 1621–1622 and displayed at the Borghese Gallery in Rome. It depicts Pluto abducting Proserpina as she struggles to escape.

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Close-up of Bernini's Apollo and Daphne marble sculpture at the Borghese Gallery in Rome

Apollo and Daphne by Bernini: Sculpture, Story and Meaning

Apollo and Daphne by Bernini is a life-size marble sculpture carved between 1622 and 1625 and displayed in Room 3 of the Borghese Gallery in Rome. It captures the moment Daphne transforms into a laurel tree to escape Apollo, with bark spreading across her body and leaves growing from her fingers.

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